The tour in which I had waited for almost 10 years, had finally arrived. Holding my tickets for a couple of months, did not help with the anticipation. Jenny had been listening to me talk her ear off about what I remembered of their short set at the Pledge of Allegiance Tour back in 2001. Adding to the anticipation of this show, was the fact that Combichrist would be opening for Rammstein.
This show marked my third Combichrist performance to date. I heard that they were a great opening act for Rammstein, setting a perfect stage. Combichrist did not disappoint. Their set got the crowd pumped and ready for Rammstein to take the stage.
Combichrist not only is opening for Rammstein, but are touring along side the tour route with their own headlining tour. I was unable to make the previous nights show in Santa Ana, but heard it went well, selling out the Galaxy Theatre. For this set of tours, Abbey Nex, formerly of Pysclon Nine, is joining Combichrist as guitarist. In the previous shows I had attended, Wes Borland had joined Combichrist, so adding a guitarist was not a new concept for me. I was however surprised as to how well Abbey Nex adapted his guitar skills to the music. He was not drowned out by Z-mar's devilish synth lines, or over powering Joe and Trevor's heavy drum beating. He fit in well with the band. If ever to have a fan vote as to whether or not to add Abbey as a permanent member of the band, I will fully support!
Combichrist filled their 35 minute set with a variation of new and old songs. The Crowd, many of which did not know of Combichrist, took to them very well. Their set ended with Combichrist performing Blut Royale with Richard and Paul (guitarists) from Rammstein. My friend Justin, who had never seen them live before, texted me after their set with, "Dude those guys were BAD ASS."
The time had come, I knew Rammstein was set to go on stage at 9pm. The Stage went dark, and out came the greatest Industrial Metal band ever! (well in my opinion at least) Rammstein fresh off receiving the Revolver Golden God award for best live performance, set out to burn down the Forum. Rammstein opened with Rammlied, a subtle starting song, with a heavy riff chorus, that enthralled the seemingly sold out crowd. Not knowing what each song would en-tail, the crowd watched in amazement. Every song performed by Rammstein included an over the top story and pyrotechnic showcase. Everything from: flame throwers, huge explosions, fights with band members, crazed fans set on fire (literally) to exploding baby dolls with laser beams attached to their heads were used in the show.
Rammstein's stage set was very tall and elaborate. Lights were used at the top as well as from underneath the bands feet. Spot lights would come down from the top, strobing and moving within each song. The stage back drop changed 3 times during their set. When the opening back drop fell, it revealed an elaborate industrial feeling stage. Rammstein chooses to utilize almost all of the human senses during their performances. So much is visually going on, and in sync with the the heart pounding sounds of Rammstein, make for an awesome show!
I knew the show wouldn't last forever, but I wish it could... Not knowing if and when Rammstein would tour the United States again, I tried to capture as much as possible in pictures, videos, and my memory. I am still in awe from the show. I have been to a lot of shows and this definitely has topped them all. I would think that not even being a fan of their music, one could enjoy their show. I don't think this is a show that I could ever get tired of watching! From the videos I have seen, they do change things up, so I am curious as to how they would out do themselves next.
Das Bunker presents Aesthetic Perfection w/ Faderhead at the Catch one in Los Angeles on April 22nd, 2011. Jenny and I had the privilege of being 2 of the SOLD OUT 800 person crowd on hand that night, for the start of the tour. Jenny and I met some friends - The Stomp Mob - at the show. All of us drove roughly about 2 hours to attend. We had been counting down the days since we heard the announcement way back earlier in the year.
Jenny and I had never been to Das Bunker before. Das Bunker also serves as LA's leading Industrial, Goth, EBM nightclub. I was surprised to walk in and spot Mr. Clint Carney standing right in front of the entrance. Clint was down to Earth, and even posed for a picture. After touring the main floor, we decided to secure our spots at the stage. To our luck, we arrived early enough to gain front stage access.
Faderhead had never performed in the United Sates, so this was a special show for them as much as it was for us in the crowd. Sami and Lord Marco Visconti took the stage to a very enthusiastic and welcoming crowd. Faderhead played all of their hits, including TZDV, Dirtygrrls Dirty Bois, Destroy Improve Rebuild, and Electrosluts Extraordinaire. The crowd gave Faderhead its deserved attention. Faderhead was sure to involve the crowd, and use the energy given from the crowd. Their set was about 30 minutes, but the time flew by. I was very impressed with their set. Definitely worth seeing live!
It's 12:15am, and everyone is anxiously awaiting Aesthetic Perfection to come out to the stage... Daniel Graves and band come out to greet the crowd. Daniel, dressed in a white and black tuxedo jacket, came out and opened with "A Nice Place to Visit." They sounded great! AP played all of the crowds favorites, including; Pale, The Ones, The Great Depression, Living the Wasted Life, Schadenfreude, and Spit It Out. They also played "The Devil's In the Details" and "Spilling Blood" from their upcoming album "All Beauty Destroyed." Daniel Graves has a lot of energy that feeds into the crowd. He seems to really enjoy the crowds energy. For it being 1 am, he still had the crowd jumping, dancing and singing along! Aesthetic Perfection have produced some great EBM, and their performances prove it.
After the show, Das Bunker seemed to resume it's normal duties as Friday Night hot spot in LA. This is show was full of A-List industrial giants... Joe Letz and Trevor Friedrich (both from Combichrist) were said to be in attendance. I ran into Joe near the bar and he was gracious enough to take a picture with me as well. I have to admit, out of all the genres of music out there, it seems that the industrial genre is the closest to its fans. They are out watching other bands perform, mingling with the crowd, and even jumping on stage with other bands. They connect with their fans on all types of social media sites. They answer questions, hold conversations, tattoo, and even play games with fans. The group members will come out and mingle with the crowd even after a show! I read that the Lord Marco had gotten food poisoning that day from Wendy's, and the reason Clint Carney was there, was to fill in for the Lord if needed... comradery between bands is very visible and good to see.
Aesthetic Perfection and Faderhead are a must see, live! I was not disappointed one bit. My fear was the fact that the concert had started so late at night, 11:15pm. the crowd would not be as enthusiastic. I was wrong. I had more energy when I left, then when I arrived. Aesthetic Perfection made the adrenaline rush last for a few hours after their set ended.